Creating Neo Deco - 10-06-23
- 7 maanden geleden
Website link: https://corneakkers.com/2023/06/11/neo-deco-10-06-23/
Printable: https://corneakkers.com/product/printable-neo-deco-10-06-23/
Ways of Execution
This oil painting ‘Neo Deco – 10-06-23’ feels like a continuation of last year’s cubist ones, interrupted by two grand pieces. These ones are of course Psyche & Amor 23-05-23 and Melina Noëlle – 18-04-23. Obviously I had fun creating them but I kind of missed creating these oils within one week or so. It’s the variety in execution I long for, I guess. Sometimes I feel like loosing myself in a complete world I can live in for months. And so I developed this idea of changing between ways of executions. Sometimes striving for capturing the essential very quickly. Another time there is an inner urge to tell the whole story. Basically it’s the variety that keeps me going.
The Second Process
Another reason for such a change is the stock of successful drawings keeps piling up. This time I chose to put my graphite pencil drawing ‘Roundism – 28-10-22 (sold)’ into oil. I like the concept I put down on paper. For the complete story I advice you to click that link. Other people seem to like it too for I sold it quickly as well as prints. Now wait for a minute before you judge me too quickly. It’s not just about exploiting successful drawings. That would imply I would rest on my laurels too much. Even though I also have to make a living from my art there is this artistic challenge as well. Drawing often is called the primary process and painting the second. This doesn’t say the oil automatically will match the drawing’s success.
Cézanne to My Aid
Transfering the drawing’s concept was a good thing. Certainly I cannot do a better job on the cubist styling and so I swiftly was caught in limbo. How to operate from there? Usually I let it rest for a while and see what the next day may bring me. Last Friday I happened to show a student Cézanne’s portrait of Joachim Gasquet. I already wrote about my love for its open structure in my art statement to ‘Roundism – 22-03-18 (sold)’. This time I was inspired by his color scheme. The dark, almost blackish blue and grainy white edges set off against the skin hues quite nicely. So, in the evening I set out to apply the paints and see what happened.
Oil on linen (60 x 80 cm)
Artist: Corné Akkers
Printable: https://corneakkers.com/product/printable-neo-deco-10-06-23/
Ways of Execution
This oil painting ‘Neo Deco – 10-06-23’ feels like a continuation of last year’s cubist ones, interrupted by two grand pieces. These ones are of course Psyche & Amor 23-05-23 and Melina Noëlle – 18-04-23. Obviously I had fun creating them but I kind of missed creating these oils within one week or so. It’s the variety in execution I long for, I guess. Sometimes I feel like loosing myself in a complete world I can live in for months. And so I developed this idea of changing between ways of executions. Sometimes striving for capturing the essential very quickly. Another time there is an inner urge to tell the whole story. Basically it’s the variety that keeps me going.
The Second Process
Another reason for such a change is the stock of successful drawings keeps piling up. This time I chose to put my graphite pencil drawing ‘Roundism – 28-10-22 (sold)’ into oil. I like the concept I put down on paper. For the complete story I advice you to click that link. Other people seem to like it too for I sold it quickly as well as prints. Now wait for a minute before you judge me too quickly. It’s not just about exploiting successful drawings. That would imply I would rest on my laurels too much. Even though I also have to make a living from my art there is this artistic challenge as well. Drawing often is called the primary process and painting the second. This doesn’t say the oil automatically will match the drawing’s success.
Cézanne to My Aid
Transfering the drawing’s concept was a good thing. Certainly I cannot do a better job on the cubist styling and so I swiftly was caught in limbo. How to operate from there? Usually I let it rest for a while and see what the next day may bring me. Last Friday I happened to show a student Cézanne’s portrait of Joachim Gasquet. I already wrote about my love for its open structure in my art statement to ‘Roundism – 22-03-18 (sold)’. This time I was inspired by his color scheme. The dark, almost blackish blue and grainy white edges set off against the skin hues quite nicely. So, in the evening I set out to apply the paints and see what happened.
Oil on linen (60 x 80 cm)
Artist: Corné Akkers